Tyla has once again found herself at the centre of a social media storm after her planned Lagos stop on the A-POP World Tour disappeared from the official schedule. The move reignited boycott calls and sparked fresh debate between Nigerian and South African fans.
The controversy gained momentum after some social media users argued that the Grammy winning South African singer should only perform in her home country. They cited lingering frustrations over alleged xenophobic attacks on Nigerians in South Africa. Others urged Nigerian fans to stop supporting South African artists until both countries enjoy what they called “mutual respect and reciprocity.”
Neither Tyla nor her management has explained the removal of the Lagos concert. However, fans quickly noticed that the December 22, 2026, date no longer appeared on the tour schedule. The A-POP World Tour still features stops across Europe, North America and Johannesburg. That omission immediately fueled speculation about the Nigerian show.
The development triggered mixed reactions across social media.
Some Nigerian fans welcomed the decision. They said they would not support the singer because of recurring reports of xenophobic violence against foreign nationals in South Africa. Others disagreed. They argued that music should unite people instead of becoming another casualty of political tensions. They also said fans should not blame artists for the actions of governments or individuals.
Many South African users defended Tyla’s touring plans. They argued that promoters, venue availability and business agreements determine concert schedules. They also stressed that music should continue to bridge cultures despite political disagreements.
The latest exchange reflects a wider debate between Africa’s two biggest entertainment industries. Episodes of xenophobic violence in South Africa have strained relations for years. Those incidents have also triggered repeated calls in Nigeria to boycott South African businesses, artists and entertainment events.
Earlier this year, South Africa’s Justice Minister said xenophobia allegations had damaged the country’s reputation. He added that the controversy had already cost some South African artists performance opportunities across Africa.
For Tyla, whose global success continues to grow through chart topping hits and international collaborations, the latest controversy highlights the challenges artists face when politics and entertainment collide. While many fans continue to celebrate her music, others insist they cannot ignore the broader issues surrounding xenophobia.
The debate shows no signs of slowing down. Fans in both countries remain divided over one question: Should music rise above politics, or should artists also face the consequences of wider social tensions?
